Russian Symbolist Painter, 1856-1910 Russian painter and draughtsman. He was a pioneer of modernism, and his highly innovative technique broke with the traditions of the Academy of Arts in St Petersburg, where he had been a brilliant student; at the same time he felt dissociated from the social consciousness of The Wanderers.  Related Paintings of Mikhail Vrubel :. | The Propylaea,Athens | Still Life with a Candlestick,a carafe,and a glass | Portofino,italy | The Demon cast down | Still life with flowers,A Paper-weight,and other objects |
Related Artists:
HESS, Heinrich Maria von
German painter b. 1798, Dsseldorf, d. 1863, Mnchen,German painter. After training (1813-17) under Peter von Langer (1756-1824) at the Akademie der bildenden Kenste in Munich, he painted religious subjects under the influence of Peter Cornelius. In 1821 he joined the Lukasbreder, and the circle around Crown Prince Ludwig I of Bavaria, in Rome. Apollo among the Muses (1824; Munich, Neue Pin.), painted for Maximilian I, shows Hess to be among the most gifted of the German artists working in Rome. The influence of Raphael, glowing but carefully harmonized colours, gliding figures and drapery animate this early masterpiece. Among other important works from this time are exquisitely detailed and colouristically sophisticated, intimate character portraits with early Renaissance settings, such as that of Marchesa Marianna Florenzi (1824; Munich, Neue Pin.), as well as fresh and lively Naturalist landscapes from the environs of Rome, for example Campagna Landscape near Ponte Nomentano (1821-6; Hamburg, Ksthalle).
Antoine-Francois Callet
(1741-1823, Paris), generally known as Antoine Callet, was a French painter of portraits and allegorical works, who acted as official portraitist to Louis XVI. He won the grand prix de Rome in 1764 with Cleobis et Biton conduisent le char de leur mere au temple de Junon (Kleobis and Biton dragging their mother's cart to the temple of Juno). He was accepted by the Academie des beaux arts in 1779, with his entry piece being a portrait of the comte d'Artois, and received with his allegory Le printemps (Spring) in 1781. He exhibited at the Salon from 1783 onwards. He painted the centre of the ceiling of the grande galerie of the palais du Luxembourg, with a composition entitled L'Aurore (Aurora). Under the French Consulate and the First French Empire he painted several more allegories, including an Allegorie du dix-huit brumaire ou la France sauvee (Allegory of 18 Brumaire, or France saved - 1801, château de Versailles) and an Allegorie de la bataille d'Austerlitz (Allegory of the Battle of Austerlitz - 1806, château de Versailles).
Arthur streeton
1867 - 1943 Australian painter. He moved to Melbourne with his family when he was seven. In 1882 he enrolled as a student of drawing at the evening classes of the National Gallery School of Design and briefly in the School of Painting, but he had no sustained formal instruction in painting. At the same time he began making watercolour sketches of Melbourne, and by 1886 his skill led to an apprenticeship as a lithographer to George Troedel and Co. of Collins Street. The most important early influence on Streeton was Tom Roberts, who had returned to Melbourne from Europe in 1885. With Frederick McCubbin, Streeton and Roberts painted en plein air at a temporary camp at Box Hill, forming what became known as the HEIDELBERG SCHOOL. A little later Streeton established the first permanent artists' camp at Eaglemont, north-west of Melbourne, overlooking the Yarra Valley, where he painted some of his most memorable works. 'Still glides the stream and shall forever glide'